Patrick Collison
I think this reflects our confused spiritual relationship with our own past. We feel a strong and intuitive affinity for what we used to build, while our contemporary frameworks consider such buildings misguided and "immoral". The mind says massing prohibitions and setbacks; the heart says beautiful masonry, higgeldy-piggeldy layouts, and Victorians. Rather than resolve the tension, we designate large fractions of our city ontologically confused, simultaneously protected and illegal; sanctified and condemned.
Patrick Collison
I'm interested in "trapped buildings": those that couldn't be built today (because of zoning and code changes) but also can't be substantially modified or demolished (because of historic protection rules). One of those phenomena that really makes one wonder what exactly we're
